Silver spring

The participatory photo exhibit went well. I was kind of relieved to see a small group attending and I am happy to move on to other things. I got to ask a couple of people involved in film making how to proceed with the documentary, now it’s up to me to make it happen. I have all it takes – except the microphone, but it’s on the way. I’m stoked again. What I needed.

I’ve finished the full engagement bible and, again, it is implementation time. The toughest and the most desired.

Yesterday, in the Metro, a black boy sitting next to me was reading Krishnamurti on his iPhone, in French

As for me, I think I’ve had enough self-help for the moment (mind you, I might change my mind again tomorrow). Right now I’m treating myself to two books: Handbook of Native American Mythology” by Dawn E. Bastian and Judy K. Mitchell, and “The Illustrated Guide to Native South American Myths and Legends: Tales from the Aztec, Maya, Inca, and Amazon Peoples,” compiled by Geraldine Carter.

I have been fascinated by Native Americans ever since, as a kid, I discovered suitably themed adventure novels (in Polish, many of them by Polish authors). I soon realized that no happy ending ever came to stories of noble warriors and their tribes. They were always tragic. I remember that it made me sad and angry at the white man’s, my, destructive civilization. I think I never quite got over that anger.

I’ve often wondered how it is possible that, as kids, we are taught very clearly what is right and wrong by so many books and films: we learn that greed and war and destroying nature is evil – we all do! And then we grow up, rationalizing that, after all, grades, productivity, efficiency, jobs and economy and this thing called “progress” are the most important. We need to make more money, people! Screw the forests, we need to build highways; fuck the mountains, there’s precious stones inside them! And stinky liquid under the ocean floor! And gases trapped in the Earth’s belly! We’ll have fuel and fighter jets and space shuttles and no oxygen! Won’t it be grand. And so we deride the same values we should have absorbed and followed through, calling them “idealistic,” or “utopian,” or “unrealistic.” Is this a naive rant? Oh yes, very. And very, very true. And everybody and their gut knows this to be true. But there’s no happy ending for us either, I’m afraid.

This is what makes me wonder about the value of stories and “storytelling” as such. It’s one of the words used so much today, and it’s been commonly accepted that it’s good and important because hey, that’s how we think, that’s how we understand the world, right? True, no doubt. But, as Krishnamurti points out, if we look at our model of knowledge critically, including the storytelling part, we see that accumulation of facts and narratives did not make us a better humanity. It is actually this greedy, agglutinating paradigm that makes us continue in our suicidal ways. Maybe we don’t need more stories, you know? Maybe we need to really listen to some old stories, and really learn them, and live them through, in silence. Again, I realize I am contradicting myself here, because I carry on with this blog, and I have plans of writing this, and filming that, but really, I think I want to do all that mostly to validate my existence. To show that I have something to offer. I feel forced to show, to prove, to be deserving. I wish I could just sit down, shut up, and be, and I wish that were enough. But I’m not ready to be homeless.

I’m clearly oversaturated with language and verbalized thought processes. So why do I read Native American stories? I think it’s the mystery that attracts me. Elements that will never be known or explained; sequences that escape my logic; unfathomable, and yet strangely relatable, gods and goddesses with as much to lose as us humans. Just listen to this Aztec myth:

ITZPAPALOTL

Itzpapalotl, the horrible “obsidian-knife butterfly” is a supernatural being who combines attributes of the butterfly, or soul, with the knife of sacrifice. The butterfly in many mythologies is the ghost of the dead, and in this ghostly creature it is associated with the horror of the altars of blood. She is one of the Tzitzimime – “the demons of darkness.” Her dreadful face is tricked out with the cosmetics of the Mexican court ladies – rubber patches and white chalk. Her claws are borrowed from a jaguar, and sometimes she is represented as having a skull instead of a face.

The Expulsion of Itzpapalotl from Heaven

Itzpapalotl was expelled from heaven because, as she pulled up some roses in a garden of great delight, the tree suddenly snapped and blood streamed from it. As a consequence of this action she was deprived of that place of enjoyment and was cast into the world. (36)

Simple, almost familiar, and yet so foreign. The above excerpt comes from the “Guide to South American Myths,” indeed beautifully illustrated. It’s the first time I’ve actually taken a close look at Diego Rivera’s murals. Genius.

All in all, fascinating as these stories are, the language used to transmit them in the books seems inadequate. Maybe it’s the oral tradition that dies in the writing. There is definitely a big SOMETHING lost in translation. Something eludes me, like a beautiful fish I see swimming in shallow water and cannot name, even though I Know it. Actually, I’ve decided, I don’t even want to know its name any more. Seeing is enough. The “Handbook” is on to something when it explains that

Long before Newton, Kant, Einstein, or Minkowski, ancient cultures around the world understood that there was a relationship between time and space. They understood that an event happening right here, right now could be imbued with a sacredness that not only set the event apart from the mundane, but also set apart the time and the place where it occurred. In the remembering of the event, whether by telling and hearing oral narratives, or by participating in or viewing various ceremonies, people were able to transcend the present and become part of the sacred. . . .

Native American people believe that time is cyclical and dynamic, and that this cyclical time functions not only in the spiritual realm, but in the day-today existence of all living things. One Hopi scholar has called this relationship “mythic reality.” In other words, the truth of this present, physical world exists simultaneously with that of the mythic, spiritual world. (36)

The past and the future coexist with the present. There was no bing bang. There is just this constant growth and death and overlap. And we within it. And I am just beginning to feel this pulse.

Malinche by Diego Rivera

Malinche by Diego Rivera

 

 

Advertisements

One comment

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s